“Videodrome” may be thought-about David Cronenberg’s debut studio movie, because it was the primary to have the backing of a significant manufacturing firm. He was betting huge on it, even turning down a suggestion to direct “Return of the Jedi” to make “Videodrome” as a substitute (per Entertainment Weekly). Whereas the gamble would not repay — the movie underperformed on the field workplace — it was a inventive success by most measures, significantly looking back. It presently ranks at 79 % contemporary on Rotten Tomatoes.
Physique horror at its most horrific, Woods performs a Toronto-based UHF TV head who turns into obsessive about “Videodrome,”
a voyeuristic broadcast seemingly originating in Malaysia. Staring endlessly at grainy, plotless footage that appears to indicate folks being tortured and murdered, he and fellow viewer Nicki (Deborah Harry, of Blondie fame) comply with the printed down a rabbit gap of politics, piracy, hallucination and dependency.
As for Woods, it was one of many first films by which he was top-billed, and it introduced his willingness to do more difficult, avant garde roles. Each actor hopes they’ve at the very least one bona fide cult basic below their belt, and Woods has that with “Videodrome.”
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